People

A mail carrier is alive thanks to quick-thinking strangers who jumped into action moments after a crash in Parkland, Washington, left his USPS truck in flames.

The collision happened on Jan. 8 in the 10600 block of Park Avenue South, when a USPS mail truck and a white sedan crashed. Both the mailman and a backseat passenger in the sedan were seriously injured, according to the Pierce County Sheriff’s Office.

But the situation turned even more dangerous when smoke began pouring from the postal truck. That’s when Stephanie Burkhart Mabee, who was nearby, rushed to help.

“It was just really, really smoking,” she told KIRO 7 News. “It wasn’t like in flames yet, but you could tell that it was getting ready to.”

Mabee grabbed a hammer, a seatbelt cutter, and a fire extinguisher from her own car and ran toward the wreck. The driver of the mail truck was still inside, unable to move. She used her hammer to break off the door handle, slid the door open, and cut through the seatbelt to begin pulling him out.

Body camera footage from the responding deputy shows the tense scene as the vehicle began to catch fire. Mabee and the deputy worked together to try to douse the growing flames.

“He started with his fire extinguisher. And then we noticed the fire wasn’t going out,” Mabee said. “So we both ran back over to the guy and pulled the guy further away.”

The sheriff’s office confirmed the mail carrier and the sedan passenger were both taken to area hospitals in serious condition.

In a statement shared on social media, the sheriff’s office thanked Mabee and Central Pierce Fire for their actions.

“Thank you to the female bystander who stopped to help and to Central Pierce Fire for all your great work,” they wrote.

For Mabee, helping wasn’t even a question.

“I would wish that if something was going on with somebody in my family or myself, that people wouldn’t just sit in their cars and watch,” she said.

Thanks to her bravery—and the fast response from first responders—a devastating situation didn’t turn fatal.

A Heroic Deputy and Good Samaritan Just Rescued an Injured Mailman From a Burning Truck After a Crash

For decades, Eric Hollaway thought suffering was just part of the deal.

Every spring, the singer and voice-over artist would steel himself for what was coming: weeks of sneezing, congestion, and fatigue so intense it felt like a flu that never ended. As a lifelong allergy sufferer, he’d relied on allergy shots for relief. But when his trusted doctor moved away from the St. Petersburg, Florida, area, Hollaway stopped the treatments.

That decision nearly derailed his career.

“I was getting so tired with the constant sneezing and stuffiness,” said Hollaway. “My agents were calling me to do readings, and I couldn’t do it.”

At 59, his breathing problems had gotten so bad that he could barely perform. Hollaway, whose deep, resonant voice has landed him voice-over gigs for Mercedes-Benz, Geico, and UFC, knew something had to change.

After researching his options, he found one: a 30-minute outpatient procedure called a balloon sinuplasty. In June 2023, doctors used a tiny catheter to open up his blocked sinus passages. What they found surprised even him.

Unbeknownst to Hollaway, he was also living with nasal polyps—noncancerous growths that clog nasal passages and are often linked to allergies. Within days of the procedure, he felt like a new man.

“Once I healed up, I literally cried because for the first time in my life I could just wake up and breathe,” he said. “My normal wake-up routine used to involve half an hour of snorting and coughing and just clearing myself out. I was like, ‘Oh my goodness, this is amazing!’”

Nasal polyps affect an estimated 13 million Americans. In addition to making breathing harder, they can also lead to chronic congestion, sinus headaches, and loss of smell or taste.

“The body overreacts to the environment and causes a lot of inflammation and swelling, which leads to polyp formation,” said Dr. William Yao, a rhinologist and associate professor at UT Health, Houston.

His doctor, Dr. Mariah Pate, medical director of Tampa Bay Breathe Free Sinus and Allergy Centers, explained that sinuses can become so inflamed that they effectively wall themselves off.

“When the sinuses become obstructed because of an infection or some other issue, it starts to swell because it’s so inflamed,” she said.

Now, Hollaway is back to receiving regular allergy shots to help keep the symptoms away. For the first time in years, he feels fully himself again.

“If anybody has suffered like I have, they'll understand,” he said. “Now I just wake up and go about my day with no complications.”

Hollaway knows what it’s like to go without help. Growing up in a family of five children in St. Petersburg, his parents didn’t have the means to send him to specialists.

“My parents were hardworking, but with five kids they couldn’t afford to send us to doctors and dentists and all that kind of thing,” he said.

Springtime was the worst. While his brothers slept peacefully, he’d be up half the night, coughing and congested. The only thing that seemed to set him apart—besides his allergies—was his voice.

“Other boys went through puberty with their voice changing, but mine went straight down—and it’s been there ever since,” he said.

He joined a youth choir, and by age 17, attended a summer music camp where his baritone stood out. After high school, he joined the U.S. Army and was stationed in Germany as a nuclear warhead technician. The upside? Military health care finally helped him get diagnosed.

“I had a skin test, and when I asked about the results, the doctor said, ‘You can just say you’re allergic to Mother Nature,’” he recalled.

Back home, he married his childhood friend Traci, and the two started a family. He held down jobs in manufacturing while gigging at weddings and in local music groups. But even as his voice career gained traction, his allergy symptoms followed him.

In 1992, he finally started regular allergy shots. For the first time, they brought real relief.

“It got to one point to where I had an allergy-free season,” he said. “That was incredible because I never knew what that was like.”

By 2005, he was working with a Tampa DJ who helped him learn to produce and record his own voice work. Weekend gigs turned into commercial work. Eventually, he left his day job to do voice work full-time.

“My voice didn’t become what it is overnight,” Hollaway said. “It’s the result of decades of persistence and, honestly, a lot of life lived. My voice connects with people because I’m not trying to sound like anyone else.”

But in 2015, everything changed again. His allergist left town. At first, Hollaway figured he could manage without the shots. But by 2022, things were spiraling.

“It was like I couldn’t do anything,” he said. “I didn’t want to leave the house because all the pollen is outside.”

That’s when he found Dr. Pate and learned about balloon sinuplasty.

“I was all numbed up so I didn’t feel anything,” he said. “But I could hear all this cracking as she’s going up through my nasal passages, opening them up with these little balloons. She said I had one of the most severe cases she’d seen.”

A scan showed his nasal passages were almost completely closed. Seeing it, he admitted, was “really scary.”

Since then, Hollaway’s life has turned around. The grandfather of six says he’s got more energy, a better voice, and a greater appreciation for his health.

“My voice has a more resonant and fuller sound, and I was very pleased about that.”

These days, he and Traci enjoy cooking and spending time together in their now-quiet house. And Hollaway hopes others might learn from his experience.

“As I get older, I’m listening to my body more,” he said. “I waited longer than I should have because I thought I could just push through. And now I feel incredibly grateful. Breathing should never be something you have to fight for.”

After a Lifetime of Struggling to Breathe, He Finally Found Relief — And Got His Voice Back

Talker News

In the rain-soaked forests of Borneo, a mother orangutan was spotted doing something remarkably human—holding a giant leaf over her baby to keep him dry.

The tender moment, captured on video in December in Indonesia’s Bukit Baka Bukit Raya National Park, shows Muria and her son Bumi huddled together as the rain pours down. Muria uses the oversized leaf like an umbrella, shielding both of them from the downpour.

“This is not AI, we promise!” said UK-based International Animal Rescue (IAR), which shared the footage. “It’s a gentle reminder of how intelligent and resourceful orangutans are, and just how similar they are to us.”

Muria’s journey back to the wild has been a long one. Rescued years ago by Indonesia’s wildlife conservation agency (BKSDA), she spent more than seven years in rehabilitation with IAR’s Indonesian partners, YIARI. She was released in 2019.

Three years later, she gave birth to Bumi—one of several wild-born infants now thriving thanks to the team’s ongoing conservation efforts.

“Seeing Muria and Bumi safe, healthy and living freely is a powerful symbol of hope,” IAR said, “and proof that rescue and rehabilitation truly can restore lives and protect a species.”

Mother Orangutan Shields Baby With Leaf During Rainstorm

Global News

A woman who survived a devastating train crash in southern Spain has been reunited with her dog, four days after he went missing in the chaos.

Ana García, 26, had been traveling with her pregnant sister and their black-and-white dog Boro when their train derailed on Sunday evening in Adamuz, Córdoba. The tail end of the train jumped the tracks and collided with another train coming from the opposite direction, in what became Spain’s deadliest rail disaster in over a decade.

Dozens were killed and more than 150 people were injured. García and her sister were rescued from the wreckage by emergency crews. But as they were being pulled to safety, Boro bolted.

“Please, if you can help, look for the animals,” García pleaded through tears in a televised interview. “We were coming back from a family weekend with the little dog, who’s family, too.”

Her public appeal quickly gained traction. Spaniards flooded social media with posts searching for Boro, while animal welfare group PACMA (Partido Animalista Con el Medio Ambiente) joined the search, warning that the dog was likely “very scared and disoriented” in the area surrounding the crash site.

Then, on Thursday, firefighters searching the nearby forest found Boro alive. Images posted to social media show García hugging her dog tightly.

“Many thanks to all of Spain and everyone who has got involved so much,” García said. “It gave me great hope and we’ve done it.”

PACMA called the reunion a “joy,” but also used the moment to highlight a broader issue. “Boro’s case demonstrates the need for emergency protocols for our animals in cases of accidents or catastrophes,” the group posted on X. “This situation could have been different and resolved sooner.”

PACMA president Javier Luna also expressed his gratitude to the volunteers and emergency crews who helped bring Boro home. “No amount of thanks to the people involved in Boro’s rescue will ever be enough,” the group wrote.

The happy ending comes amid a grim week for Spain’s rail system. Sunday’s crash was followed by two more: a commuter train collision near Barcelona on Tuesday night that killed one person and injured at least 37, and another crash on Thursday in southeastern Spain, where a train hit a crane, injuring six.

Sunday’s derailment was the worst train crash in Spain since 2013, when a high-speed train derailed in Galicia, killing 80 people. As investigations continue, the recent spate of incidents is prompting renewed questions about safety on the country’s extensive railway network.

For García, though, the return of Boro has offered at least one moment of healing in a week marked by trauma. According to PACMA, the dog is now safely home—and “happy.”

Missing Dog Boro Found Safe After Spain Train Crash, Reunites With Owner

Smithsonian Magazine

Cheyney University in Pennsylvania was founded in 1837 with a clear purpose: to educate the descendants of the African race in academics, trades, and agriculture. Nearly two centuries later, it remains a cornerstone of a broader story—one that’s now being told at the Smithsonian’s National Museum of African American History and Culture.

The museum’s new exhibition, At the Vanguard: Making and Saving History at HBCUs, brings that story to life through a striking collection of art, artifacts, and archival material drawn from five historically Black colleges and universities: Clark Atlanta, Florida A&M, Jackson State, Texas Southern, and Tuskegee.

The show dives into the academic, cultural, and social contributions of HBCUs—institutions that emerged out of necessity and went on to shape American life in lasting ways.

"HBCUs are part of the American narrative,” said Deborah Tulani Salahu-Din, a literary historian and co-curator of the show. “Like Black people are part of American history and culture.”

From the Civil War to the Civil Rights era, HBCUs have trained generations of Black educators, artists, doctors, and leaders. Between the 1860s and 1900 alone, more than 90 such schools were established. Shaw University was the first to open after the war. And in 1965, the Higher Education Act formally recognized the role of HBCUs in expanding access to higher education for Black and low-income Americans.

At the Vanguard captures that legacy through physical objects—some humble, some historic. At Tuskegee University, for example, students once learned brickmaking in class and used those very bricks to build the campus. Four of those handmade bricks are now on display at the museum.

“Many of the buildings were created by students,” Salahu-Din said. “Some were even able to help build the school in lieu of paying tuition.”

Elsewhere in the exhibition are George Washington Carver’s notes on peanut oil and a rare 1942 printing of For My People by poet Margaret Walker. Carver’s innovations in agriculture are widely known, but the display also honors his role as a teacher and mentor at Tuskegee. Walker, meanwhile, left a lasting mark at Jackson State University, where she launched the Institute for the Study of the History, Life and Culture of Black People and brought together Black women writers from across the country.

Art also plays a central role. An oil painting by William H. Johnson, lent by Clark Atlanta’s museum, and a sculpture by Cameroonian artist Franck Kemkeng Noah, from Texas Southern, highlight how HBCUs have supported Black artists for decades. Many schools built their own collections long before mainstream institutions showed interest.

“HBCUs played the role in providing platforms and showcasing works that would otherwise just go neglected,” said Salahu-Din.

One of those platforms was created by Hale Woodruff, a painter who founded the first permanent fine arts program at a Southern HBCU—Clark Atlanta—in the 1940s. He later helped establish an annual juried art competition that spotlighted young Black artists, at a time when their work was largely ignored by the broader art world.

“HBCUs saw the value of Black cultural production and Black aesthetics in ways that other audiences probably didn’t understand,” said Joanne T. Hyppolite, NMAAHC’s curator of African diaspora history. “They encouraged students to look at their communities, their landscapes, their families, and paint from that, from what they know and what they saw.”

And while many people associate HBCUs with marching bands and step shows, Hyppolite points out that the schools are incredibly diverse—urban and rural, public and private, large and small. Each has its own identity and legacy.

That diversity is central to the exhibition, which will tour the five campuses that contributed to it once its run in Washington ends. Jeanelle Hope, the museum’s curator of entrepreneurship and innovation, sees it as a rare opportunity for students to connect with their own school’s history.

“A lot of students don’t visit their campus archives or art museums,” said Hope, who previously taught at an HBCU. “Oftentimes, they aren’t aware of the rich history of their campuses.”

The exhibition, she says, is about more than remembering the past—it’s about helping the next generation see themselves as part of it.

From handmade bricks to typewritten lab notes, from early founders to present-day curators, At the Vanguard tells the story of institutions that were never just schools. They were—and still are—engines of culture, guardians of history, and homes for generations of Black excellence.

Historically Black Schools Preserve History With Artifacts From Paintings To Marching Band Hats

The Cool Down

A newborn goat and its mother were rescued from an isolated spot on a cliff in Ajo, Spain, footage released on January 22 by the Cantabria Government Emergency Response Center shows.

“The mother could have given birth there and, since the baby did not come up, she remained with it at that point,” they wrote on X.

Firefighters carried the baby to a safer place where there were more goats, they said.

A Tiny Newborn Goat and Its Mother Were Just Rescued From  a Cliff in Spain

A museum once on the brink of permanent closure is getting a second lease on life—thanks to passionate rug lovers.

The Museum of Carpet in Kidderminster, Worcestershire, had shut its doors last month after visitor numbers dropped to just six a day. But following an outpouring of public support and a grassroots campaign by shag pile enthusiasts, the museum is set to reopen on February 14 for a special four-day half-term run.

Yes, that’s Valentine’s Day. And yes, someone has already declared it the perfect romantic outing. “I’m definitely taking my girlfriend there on Valentine’s Day, she loves a good shag pile!” one cheeky commenter wrote online.

The museum’s team is hoping the limited reopening could pave the way for a full comeback.

“Volunteers expressed great enthusiasm and commitment to open the museum as much as possible in the coming months,” said Geoffrey Gilbert, chair of the Carpet Museum Trust. “Meanwhile discussions continue on support and funding for the development of a new Museum for Kidderminster.”

Entry during the half-term period will be free, a move designed to draw more visitors and drum up momentum for future plans. Regular admission had previously been £6 for adults and £17 for families.

For locals in Kidderminster—a town once known as the carpet capital of Britain—the news has been warmly welcomed.

“It’s marvelous news to see such an important slice of the town’s history opening once more,” said 70-year-old Graham Connell. “Almost everyone living in this country has carpets in their homes and that is down mainly to this town and the people who lived and worked here. When the museum opens again, I’ll be first in line.”

Housed in an 18th-century mill and launched in 2012, the Museum of Carpet has showcased three centuries of British carpet-making, with everything from vintage underlay samples to iconic designs. In its early years, it attracted school groups, coach tours, and textile buffs from around the country. It even developed something of a cult following online, thanks in part to a tongue-in-cheek promotional video featuring Gary Barlow calling it a “very nice day out.”

The museum boasts a solid four-star rating on TripAdvisor, with reviewers calling it “an absolute gem” and praising its hands-on exhibits and passionate volunteers.

But like many niche museums, it struggled with rising costs and declining footfall. Maintaining the collection and the building cost roughly £100,000 a year, and by late December, the numbers just didn’t add up. The doors closed on December 20, seemingly for good.

That’s when the community stepped in. The unexpected groundswell of support has not only reignited interest in the museum, but also spurred conversations about creating a more sustainable future for the space.

For now, museum fans can mark their calendars. February 14 is looking a lot more textured.

Britain’s Only Carpet Museum to Reopen After Shag Pile Fans Rally to Save It

Scientific American

More than 500 years after his death, researchers are still trying to understand what made Leonardo da Vinci tick. Now, they’re turning to cutting-edge genetic tools—and centuries-old art—to try and find out.

A new study, not yet peer-reviewed, claims to have found traces of male DNA on a chalk drawing often attributed to da Vinci called Holy Child. And while the researchers stop short of saying it’s definitively the artist’s, the discovery marks the latest step in an ambitious international effort: the Leonardo da Vinci DNA Project.

The project brings together a broad cast of characters—art historians, geneticists, forensic scientists, physicians, and environmental researchers—who are united by one big question: could understanding da Vinci’s DNA help explain his extraordinary talents?

“What can we learn about his ability to see things that you and I just don’t have that ability to see?” said forensic scientist Rhonda Roby, who’s part of the team. “He could see the flutter of a dragonfly’s wings… envision helicopters when there weren’t even helicopters built.”

The idea of finding da Vinci’s genetic material first took off more than a decade ago. It hasn’t been easy. Da Vinci had no children, and his remains were moved and likely lost during the French Revolution. So instead, the team started looking elsewhere—at works of art he might have handled, documents he might have signed, and descendants of his family line, some of whom are still alive today.

Roby herself swabbed items in a private collection for DNA back in 2021. She says much of the work involves “very small biomass,” making it especially tricky. Unlike medical researchers who have test tubes of blood to analyze, forensic scientists often work with minuscule traces—like dust particles on the corner of a 500-year-old sketch.

That’s where Holy Child came in. Before sampling, the team made a high-resolution image of the drawing and used it to map out possible swabbing locations without physically touching the actual artwork. They focused on the edges of the drawing—where someone might have handled it carefully over the centuries—and collected DNA there.

Roby says the group has also experimented with different sampling methods on lesser-known artworks, including punching tiny holes (1.2 or 2 millimeters wide) to compare how much material each method could retrieve. “Most likely, the bigger the punch, the more material you’re gonna get,” she said, though the team is careful not to damage significant pieces.

Sometimes they’ve even used a wet vacuum technique, wetting the surface lightly and then sucking up the moisture to capture any biological traces left behind.

It’s not just human DNA they’re finding. On historical letters, they’ve even uncovered traces of malaria, suggesting that pathogens from past centuries can still be identified on documents that have long since stopped being infectious.

For Roby, one of the project’s biggest achievements isn’t a single eureka moment—it’s the steady progress in building techniques that could someday help researchers confirm the authenticity of disputed artworks.

It’s still early days. Roby notes that any attempt to use genetics to authenticate art will need far more data, a large enough DNA reference database, and access to multiple verified works. But she believes that with time, these methods could become part of a broader toolkit, alongside traditional provenance research, pigment analysis, and stylistic comparisons.

“I think just like a criminal case that we do, there’s a lot of information that comes in together,” she said. “There’s fingerprints, there’s eyewitness accounts, there’s alibis, and then there’s the DNA testing... It’s a case. This is a piece—an exciting piece—and it can be built upon.”

Still, there are concerns. One of the potential goals of the project is to see whether aspects of da Vinci’s genius—like his extraordinary visual perception—might be partially explained by his genes. That raises ethical questions in today’s world, where some tech billionaires and biotech companies are investing in genetic engineering to boost intelligence or other traits.

Roby acknowledges the concern but says it’s not what drives her work. “I’m just a scientist looking to answer some questions,” she said. “I hope people use science to help us in this world… I can’t spend my time worrying about what people will do with the little bit of information I’m putting out.”

For now, the search continues. Whether or not the DNA found on Holy Child actually belonged to da Vinci remains to be seen. But the techniques being developed in the process could reshape how we study the past, piece by piece—dust speck by dust speck.

Scientists are hunting for Leonardo da Vinci’s DNA—on his drawings

Good News Network

When Ms. Sun lost her ear in an industrial accident, doctors at a hospital in Shandong, China faced a daunting challenge. The blood vessels and nerves around the injury were too damaged for immediate reattachment. So instead, they did something extraordinary: they grafted the ear onto her foot.

It’s part of a process called “heterotopic survival,” where severed body parts are temporarily transplanted onto other parts of the body to keep them alive. In Sun’s case, the ear was stitched to the top of her foot, where blood flow and thin skin helped keep it viable.

For five months, Sun lived with her ear on her foot, wearing oversized shoes to protect it. Doctors monitored it closely, especially after early signs of necrosis. But the ear gradually regained color and remained healthy, thanks to the foot’s steady blood supply.

In October, surgeons determined the time was right to reconnect the ear to her head. The procedure required delicate work to restore blood vessels and nerve connections, but it was a success.

Experts told The Mirror that when immediate reattachment isn’t possible, heterotopic survival techniques like this can be the best option—especially for fragile body parts like ears. Ms. Sun is now recovering well.

Woman's Severed Ear Successfully Reattached After Temporary Graft on Foot

The Guardian

Scientists at Rice University say they’ve developed a new way to remove and destroy PFAS chemicals—at speeds up to 100 times faster than today’s filtration systems.

PFAS, short for per- and polyfluoroalkyl substances, are a group of more than 16,000 compounds used in everything from non-stick cookware to waterproof clothing. Nicknamed “forever chemicals,” they don’t break down naturally and have been linked to cancer, liver damage, kidney disease, and birth defects. They’re also notoriously difficult to remove from the environment.

But in a new peer-reviewed study, researchers at Rice detailed a copper-aluminum material that could change that. The compound is a type of layered double hydroxide, or LDH, and works by drawing in PFAS through charge-based attraction. Because the material is positively charged and PFAS are negatively charged, they’re pulled together like magnets.

“It just soaks it in to the order of 100 times faster than other materials that are out there,” said Michael Wong, director of Rice’s Water Institute and co-author of the study.

That speed could be a game-changer. Most current filtration systems—including granular activated carbon, ion exchange, or reverse osmosis—can trap PFAS but can’t destroy them. That leaves facilities with filters full of toxic waste, which then has to be stored or incinerated. Burning the material can release harmful byproducts or simply break large PFAS into smaller, still-dangerous fragments.

Rice’s approach goes further. By heating the soaked LDH material to 400–500°C—well below the temperatures used in current thermal processes—researchers were able to break the carbon-fluorine bonds that make PFAS so indestructible. The resulting fluoride binds with calcium in the LDH, forming a stable calcium-fluoride compound that Wong says is safe to dispose of in landfills.

The key is concentration. Because the material absorbs PFAS at such a high rate, researchers don’t need to heat massive volumes of water. They can simply isolate the PFAS in the filter and destroy it in small, controlled batches.

“It’s going to be important for the direction of research on PFAS destruction in general,” Wong said.

The process worked especially well on long-chain PFAS, which are among the most common pollutants in drinking water and wastewater. It also showed promise with shorter-chain PFAS, though Wong said more research is needed to confirm how broadly it works.

One potential advantage is that the material can be dropped into existing filtration infrastructure. That makes it easier and cheaper to implement than entirely new systems—always a hurdle when trying to scale up new environmental technologies.

Still, experts say caution is warranted. “I’m always skeptical of claims around total destruction of PFAS,” said Laura Orlando, a civil engineer with the non-profit Just Zero. She pointed to the complexity of dealing with wastewater in real-world conditions, where variables like temperature, flow rates, and occupational safety come into play.

Other hurdles include regulatory approval, permitting, and long-term durability. But if Rice’s technology holds up in larger trials, Orlando said, “then it would be really something to pay attention to.”

For now, Rice’s team is continuing lab tests and preparing to explore how the material behaves in field conditions. They say the next steps will focus on scalability—and ultimately, making the process affordable and reliable enough to be used by municipal water systems, industrial sites, and cleanup efforts nationwide.

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